Fifty Shades Of Nonsense (Movie Review)
How can anyone of good conscious
write a review for a movie they haven't seen?
It's easy. Pre-judging whether or
not you want to see a movie is the EXACT reason they make movie trailers -- so
you can review the movie before you see it and know whether or not the film is
worth your precious time and hard-earned money. You still have, after all, the
right to say no. You vote with your dollar.
The purpose of film reviews, as is
the intention of this review, is to help you decide whether to see a film or
not by giving you informed opinions, based on ration and reason, about an
intellectualized art form that is visceral in nature and has only perceived value. Movies are audio/visual representations of
ideas. Not all movies are worthy of seeing.
I have not seen the movie
"Fifty Shades of Grey", nor do I ever intend to in this lifetime, and
for the reasons which I have outline here.
I have a strong emotional reaction to what little I know of the overtly-hyped
film, enough to warn others as a kind of public service. Of course, I'm for the discussion of ANY
subject matter on film, encouraging openness at all costs, as long as it has a
relevant point of view. So sexuality is not the objection whatsoever, as "sex"
is supposedly the main plot point of this particular film.
I'm posing the following questions:
what is that point then? What's this
movie REALLY about? Grown adults can
sometimes do "kinky" things and it's okay? "Good girls" can sometimes do
"bad" things and like it?
That's not a revelation about human sexuality or current social mores, not
an arty rumination, not even good soft-porn gutter entertainment. It's cheesy "sex sells" marketing
that shouldn't get enlightened, self-respecting movie-goers into the theater.
"Sex" is, therefore,
NOT a plot point in this film (moving the action forward) but a plot devise
(again the hallmark of poor writing and film-making), the glittery front to
cardboard character development and predictable action. The title alone is not
inspired (it's the guy's name and he lives in between black-and-white morality
in the gray areas and her name is Steele and he's going to break her down --
get it?).
Where have we seen this drivel
before? "Fifty Shades of Grey",
like all current media, is a well-worn, thread-bare boy-meets-girl story-line
that either makes sense or not and this one is a jumbled, pandering mess of
throw-back concepts. It's antiquated trash-talk
Jacqueline Susann via snarky Jackie Collins, with "shocking, outsider
relationships", Brokeback Mountain-style, combined with "The Devil
Wears Prada" sensibilities in which a nauseating "innocent"
(read that: dumb) woman is taught life lessons by espousing fashion tips (read
that: sexual competitiveness between woman and the price they pay to know the
"code of sexual acceptance" through Jimmy Choo shoes)..."Fifty
Shades" is sexist, perhaps as anti-feminist, anti-woman, as a film could
be without out-and-out saying the creators really don't like women at all.
The "alleged sex" in
"Fifty Shades..." withstanding, most of the remaining basic ideas are
nonetheless dumb-founding. Why would
anyone at the success level of the bosses portrayed in "Prada" or
"Grey" inexplicably hire someone who was so obviously ill-equipped,
without talent, and moronic? Does the
author of the book and the film-makers think we're that stupid to believe --
even in the suspension of reality for a dopey movie -- this is normal,
acceptable behavior? Yep. Fool me once -- your fault. Fool me twice -- my fault.
Any hype about full-frontal MALE
nudity? Nope. Does the female lead turn
the tables? Nope. Does the woman have
anything to offer, other than being a tool for the man's pleasure? Nope, again. One way to tell this film is
exploitative is to turn the lead roles around: what if a unfeeling woman boss
treated her dim-bulb male underling as a sex object? Is that okay, too? Is that entertaining?
Here's an example: The man and woman are in front of a door. He says, "Behind this door is 'The Playroom'..."
She responds with, "You mean, for your X-box?..." Groan. Why do we have to tolerate the
marginalization of women this way, a kind of childish black-face-like characterization? What year is this again -- not 1945, is it?
Is "Fifty Shades..."
the new "romantic comedy"? Is
this how "straight man/woman" relationships are now being seen by
film-makers? Has society become so overly-accepting, so unhealthy, that the unseemly fringes don't seen that absurd or
harmful? A more interesting dynamic would have been a worldly, insightful
female boss who mentors a younger woman, including teaching her about sexuality,
somewhere between parenting and partnering.
Perhaps then the film could have been a discussion about answering the
question Freud posed, "What do women want?"
When the book the film was based
on was a round-table discussion here in "The Hood", I read excerpts
from the book and found it trite and wholly unconvincing, with the typical amateurish
awkwardness of someone writing about something they don't know anything about
and with the same dim-witted-ness as when someone writes something the writer
thinks is "controversial". The
craft of writing is usually usurped by the provocative subject matter, the
quality of the writing suffers. That's fine, except you can't contrive
controversy and the film appears to being carrying on that lineage from the
book. "Viral" is organic, not
promoted. Personal truth always wins out, like a beacon pointing the way.
The writings of the Marquis de
Sade are the real deal, lifting hard-core pornography into a poetic art form,
from someone who understood populist ideology by being purposefully "on
the down low" for The Ages. De Sade's
"naughty" was joyful, even when the subject matter was scatological
in nature. Make movies based on his
works, I say. "Fifty Shades..."
is sick and perverted, not for the sex, but for what the sex represents -- the
submission and degradation of woman by men and the narrow, dishonest way it
presents people in general as stereotypes, not just these specific types as
examples of the human condition. Want to
see true expression? See the classic
"120 Days of Salo" or countless sexually-liberating French films of
the last forty years, most of them starring classy Catherine Deneuve.
Every still image from the set of
the movie version of "Fifty Shades...", every article about the film
in print, every trailer and TV commercial, the young woman looks and sounds vacuous
as her mouth hangs open and her eyes widen and the guy seems like an
emotionally-stunted sociopath. This is
Freud's much-discussed "female rape fantasy", prettied in an ugly way,
presented as a "knight in shining armor" bullshit. This is worse than
crude traditional pornography as it's being formatted as a "feature
film", supposedly worthy of an "art status". In reality, this film is cartoon-ish porn
without real people having real sex, justifying the always-predictable male
libido, while dehumanizing women's sexuality, and that male-dominated
repression portrayed in the film is so pervasive, so part of daily life, so
Hollywood-ized, a woman (as writer) is seemingly-unwittingly behind the socially-damaging
story-line, siding with the Neanderthal men and being against her own kind. Behavior
such as this is common among repressed people -- turning against your own
kind as the fear, doubt, guilt and shame become anger which is then
internalized, then projected out, making others responsible for the victim's
pain. If this film doesn't do well in the box office, Hollywood
will surely offer it as another example of how "women's films" don't make
money.
The most damning thing about the
film -- seen even in small clips -- is that it isn't fun. It takes itself
seriously in a melodramatic way, again, indicating that when a man is in charge
of sex, it's all business, money-shot, and then move on, because, otherwise, a
sense of humor is seen as castrating...
I am not suggesting we
morally-high-road what kind of sex people should or shouldn't have or what kind
of film to make. I am suggesting we
question the reasons why self-actualized, responsible, respectful people agree
to have sex and why this movie isn't about that. I am suggesting that you have
a choice to put something truly awful in your mind (at about $14 a pop)...or
something which could encourage, inspire and up-lift that will help you understand
the real world you do live in. Try reading Kinsey, for starters.
The author of the book and the
makers of the "Fifty Shades of Grey" film want one thing -- your
money -- and not to enlighten, educate or even entertain. There are two more movies in the works based
on the same series of novels, dependent on the success of the first film offering.
A tragic waste, I say.
Shame on these film-makers and
the author of that book. Shame on us for
supporting such crap. If curiosity gets
the best of you and you do pay money to see this horrid film, at least have
sense enough to keep it to yourself, do not embarrass yourself by admitting it
to anyone. And, if for some reason, you
are entertained by this film, perhaps you should take a long, hard look as to
why. Send Hollywood
a loud-and-clear message by staying home or else, don't blame me if you go. I tried to warn you.
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